Your new one-woman show, ''The End of the Moon,'' is based on your stint as an artist in residence at NASA. Why would a performance artist known for her iconoclasm want to visit mission control in Houston?
As sad as I am about being in the United States these days, NASA is genuinely exciting. I keep thinking what it would be like to be a kid in this country. I think it would be really depressing, except for NASA.
Did you want to be an astronaut when you were growing up?
No. Although I could definitely imagine myself floating in space, I didn't want to become an astronaut. Driving those golf carts around on the moon seems a little geeky. Also, astronauts are constantly busy, and I didn't want to have that much to do.
Most other people see astronauts as figures of smoldering romance who rank right up there with cowboys and other American pioneers. Did you get to spend any time with astronauts?
I met many astronauts, and they seemed so out of place. They were given jobs around mission control, but they were living to be in space, and all their conversations were about the next time maybe they were going to go.
Since you don't identify with astronauts, what moved you to spend a year at NASA?
I like the scale of space. I like thinking about human beings and what worms we are. We are really worms and specks. I find a certain comfort in that.
You were NASA's first artist in residence and perhaps its last.
I think there is a lot of animosity between Congress and NASA right now. I heard that someone in Congress was looking through the budget, and the artist-in-residence program got scratched out.
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