"Marina Abramović: The Artist Is Present" at the MoMA

NYC's Museum of Modern Art is currently exhibiting a performance retrospective that traces the career of bountiful Yugoslavian artist Marina Abramović. "The Artist is Present" (which runs through May 31st) displays fifty works that span over four decades - including the artist's early interventions and sound pieces, video works, installations, photographs, solo performances and collaborative performance made with Ulay (AKA Uwe Laysiepen).

The exhibition marks three important "firsts" (one for the museum and two for the artist). These include: the first time the MoMA has devoted a retrospective to a living artist; the first live re-performances of Abramović's works by other people ever to be performed in a museum setting; and a new piece by the artist that marks the longest original solo performance Abramović has ever created and executed.

In order to allow visitors the chance the experience the timelessness of the works in the exhibition, all performances in "the Artist is Present" will take place throughout the entire duration of the exhibition - starting before the museum opens each day and continuing until after it closes.

Additionally, a chronological installation of the artist's work will run concurrently (on the sixth floor of the MoMA), revealing different modes of representing, documenting and exhibiting Abramović's ephemeral, time-based and media-based works.

Click here to read more about the exhibition (and to view Abramović's first performance)

Click here for related exhibitions at the MoMA

A New Type of Art Patronage

The rich and powerful have always expressed a love of expensive art (among other luxuries) and kings / czars / popes (etc) of the past, seemed to have artists on hand to create masterpieces for their wealthy bosses. But Andrew Jeffrey Wright, a punky, independent-minded Philadelphia -based artist devoid of convention, defies the ideas of art patronage.

While Wright admits that his own drawings and paintings are "too expensive for people who don't have that much money," he displays his desire for everyone to have access to his art.

"I love poor people, and not just because I am one- I think poor people have great style and taste," says Wright.

Because of this, the artist recently launched a low-cost subscription series for fans who pay a yearly fee for what he has to offer. Wright's "patrons" are to receive one of every colorful screen print he produces for the calendar year of 2010. The subscription, which includes a guaranteed minimum of twelve prints for each patron, starts at an annual cost of just $300 (and includes shipping and handling).

Wright's excited about the "fun connection" his lower-cost art generates, as he appreciates the people who really like his work (and is happy that they can now enjoy their very own Andrew Jeffrey Wright screen prints).

In addition, Wright is one of the co-creators of Philadelphia's Space 1026, a communal gallery and studio launched in 1997, intended as a ten year experiment. Since its debut, the collective has become known for its innovative (and sometimes wacky) works in photography, video, animation, painting, drawing, collages, zines, performance, sculpture, t-shirts, and screen printing - all of which Wright does handily, with both humor and enthusiasm.

Space 1026, along with Los Angeles gallery owner Justin Van Hoy (who bought one of Wright's pieces at 1026 - but worried about keeping up with the artist after leaving Philadelphia), and Wright's zine-making friend Mark Price (who achieved much success with his "zine-of-the-month" club) are the three contributing factors that inspired the creation of Wright's subscription series.

Last words: the witty and personable Wright says,

"There is no feeling of loss even though I am selling my prints for a lot less money. It creates a connection between me and the people who dig me ... if they feel they are receiving way too many screen prints, they could use some as currency - go into a five-star restaurant and pay for a meal. Or book a trip to Paris..."

Read the entire article about Wright and his Subscription Series here.

Michail Pirgelis' First Solo Show in Berlin

German-born artist Michail Pirgelis, who grew up in Greece, is currently exhibiting his first solo exhibition in Berlin at Sprüth Magers Berlin. The exhibition, called ‘Ακρόπολης – Acropolis,’ includes sculptures and objects based on (and made from) original airplane parts.

Pirgelis collects airplane parts, salvaging them from scrap yards around the world. His Berlin exhibition displays seven new objects – plus two sculptures from his 2009 “Airsaddles” series. Some of his new works include brightly polished outer fuselage sections, which casually hang from the gallery wall and a series of baggage storage compartments, which have been transformed into loudspeaker towers.

Through cutting, collaging, highlighting, covering and polishing, the artist transforms his rescued pieces, which have escaped their ill-fated destiny of ending up as scrap metal, into elaborate sculptures. Upon completion, each piece’s rejuvenation represents the once-evident prominence of aviation (which has seemed to disappear due to today’s mass air transportation).

Likewise, Pirgelis’ creations surpass issues plaguing the airline industry and airplanes today – those of safety, terrorism, and ecological effects – and touch on themes of technology and how humanity works with and transforms materials, turning them into masterful marvels, like airplanes.

This powerfully intriguing exhibition is on display through April 1, 2010.

Read more about the artist, his exhibition and artwork.

See what else is going on in Berlin's Art Scene

Nicky Philipps Paints the First Double Portrait of Princes William and Harry

London's National Portrait Gallery recently revealed the first (official) double portrait of Princes William and Harry of Wales. Painted by artist Nicky Philipps, the candid-like portrait shows the royal brothers engaging in conversation while wearing their Household Cavalry uniforms.

The artist hoped to capture William and Harrys' "brotherly banter." The juxtaposition of regal charm - the Princes in their royal military garb - and everyday normalcy - the brothers engaging in relaxed conversation - give the portrait a welcomed balance.

Philipps remarked that the Princes were "good company," and Sandy Nairne, the Director of the National Portrait Gallery, stated

The first portrait of the Princes captures them formally dressed, but informally posed. It is a delightful image which extends the tradition of royal portraiture."

Click here to read more about this topic.

William Klein's Never-Before-Seen Fashion Photos Exposed in New Book

Artist William Klein, who arrived in Rome in 1956 and wandered around the city with film director Federico Fellini, poet Pier Paolo Pasolini, novelist Alberto Moravia, and other avant-garde Italian writers and artists, masterfully photographed images of the city and the fashionable men and women who inhabited Rome. Klein's visual displays were published in an a book that featured the artist's observations and descriptions (via extended captions) as well as quotes and statements about Rome by some of the world's most famous writers.

To celebrate the fiftieth anniversary of the Rome book's 1959 release, the Aperture Foundation and Contrasto are collaborating to publish a revised version. The new edition includes two volumes of many never-before-seen fashion photos that Klein had taken while in Rome and text updated by the artist. The book introduces society's newest generation of photography lovers to Klein's daring and experimental work (which, during the 1950s and 60s, shocked the art world) and today still captivates viewers and inspires creative thinking.

To read the ArtDaily article associated with this post, click here.

"Six Decades" of Kazuo Shiraga at McCaffrey Fine Art

McCaffrey Fine Art is currently displaying Japanese artist Kazuo Shiraga's first ever solo show in the US. The exhibition, titled "Six Decades," shows paintings by the distinguished artist who uses the style of "foot painting" in his work.

A style often associated with artists who cannot use their hands (or whose hands have been amputated or otherwise destroyed), Shiraga says he first experimented with this method in order to go beyond (the already complex) style of Abstract Expressionism. He has used foot art since the 1950s (hence the title of the exhibition).

The avant-garde artist sought inspiration from Robert Rauschenberg, Cy Twombly, Yves Klein and Jackson Pollock during the 50s - but developed his own unique methods of placing large sheets of paper on the floor, then sliding, spinning, and swirling his feet into heaps of boldly colored oil paint and letting his feet and mind create masterful paintings.

Although the artist's work has been included in various museums' surveys of Japanese Art throughout the United States in the past few decades, he has remained largely unknown in the American Art World until now. The current exhibition at McCaffrey Fine Art also accompanies the first in-depth publication on Shiraga's work in English.



To read more about the artist, his influences, and past exhibitions, click here.

Alejandro Corujeira's New York Debut

Internationally acclaimed Argentine painter, Alejandro Corujeira, will debut his first New York show at Marlborough Gallery. The artist, who now lives in Madrid, creates abstract works that mix curvy lines, subdued colors, and layers of transparency. His paintings radiate a calming - almost trance like - effect on those who are drawn to the soothing nature of his creations.

The artist's use of earth tones and pale blue and green hues gives many of Corujeira's paintings in his new exhibit a unique essence, which is precisely what the artist strives for. As he states in a recent article from Art Daily,

“In this painting ["El comienzo" or The Beginning ... ] there is a sinuous plane, organic in nature, which is left suspended over the surface; with the colored lines, energies of tinted light, causing it to palpitate permanently in a respiratory rhythm.” "Melodías inventadas" (Invented Melodies) ... is invested with a similar vibrating energy. Here graphite circles move like cells over the surface of the painting, seemingly attempting to settle upon pale red and green lines and producing, in the artist’s words, a continual movement like an audible impression.

Check out Corujeira's first NY solo show - which promises to be a welcoming and calming display - from November 19th until December 19th.

Above Images ( "Álbum de los días" and "El comenzio," respectively) courtesy of Marlborough New York